A recent
campaign by Architecture for Humanity inspired me to remember why I love
architecture. I love architecture most
for the emotions it can illicit, the potential of new technologies it possesses
to improve human life, and the amount of human effort and artistry that goes
into it.
As a child, I remember first thinking I’d be an architect when I became interested in the design of houses. I’d occasionally tour the model homes of new housing developments with my mom and her friend, and I’d look through new homes guides and the real estate section of the paper to examine the floor plans that were sometimes included in the ads. I even remember regularly watching a show put on by Long & Foster (local realtors) that was some kind of precursor to HGTV’s House Hunters. The show would feature some of the homes they were listing.
While today I wouldn’t really consider suburban tract homes to be Architecture (with capital A), they were a fascinating entry into the intersection of design, market forces, and technology. It was – and still is- exciting for me to see different configurations of spaces that reflect different ways people live. I remember being excited to learn what “in-law suites” and “spa tubs” were. I was introduced not only to a new vocabulary, but features and types of rooms that didn’t exist in my parents’ 1950’s era suburban home. It provoked me to think about how I might want to live, given a reason to leave the wonderful home I already occupied.
As a child, I remember first thinking I’d be an architect when I became interested in the design of houses. I’d occasionally tour the model homes of new housing developments with my mom and her friend, and I’d look through new homes guides and the real estate section of the paper to examine the floor plans that were sometimes included in the ads. I even remember regularly watching a show put on by Long & Foster (local realtors) that was some kind of precursor to HGTV’s House Hunters. The show would feature some of the homes they were listing.
While today I wouldn’t really consider suburban tract homes to be Architecture (with capital A), they were a fascinating entry into the intersection of design, market forces, and technology. It was – and still is- exciting for me to see different configurations of spaces that reflect different ways people live. I remember being excited to learn what “in-law suites” and “spa tubs” were. I was introduced not only to a new vocabulary, but features and types of rooms that didn’t exist in my parents’ 1950’s era suburban home. It provoked me to think about how I might want to live, given a reason to leave the wonderful home I already occupied.
I still do this mental exercise when I visit exciting new
buildings or watch them on TV. I wonder,
“Would I want to live here, work here, vacation here?” And I’m still particular
about vocabulary. I inwardly cringe
every time I hear someone describe any large window a “bay window,” any curved
stairway “spiral”, and any high ceiling “vaulted.”
As I got older, I decided on architecture as a career
because it combined my love of art with love of people and would provide a way
for me to be artistic while making a secure living. (Only later did I find out
while it is more secure than freelance artistry, it is hardly a secure
profession. Layoffs are common as the
market changes.) In high school, I
learned drafting skills and the basics of room design. I also learned that although I might enjoy
looking at residential designs, I did not enjoy creating them. One particular kitchen redesign competition
in my senior year taught me that.
It was in college that I really
discovered what Architecture (with a capital A) is. My mind was blown when in our first year, my
professors asked the students not to configure rooms in functional layouts, but
to understand how design elements evoke movement, calm, excitement and other
moods or states. I can still recall how
impressed I was with how well some my fellow students succeeded in these
tasks. As I learned about the work of
great architects, I was even more impressed with how they did these on a large
scale.
In college, I was also introduced to architectural theory,
which is a part of my studies now. (In a
forthcoming post, I will talk about the path that led to an eventual
intersection of my appreciation for architectural theory and my love of theology.)
Although not initially drawn to theory, I gradually came to appreciate the
exercise of sustained reflection on why and how we make certain choices in the
built environment. Today, I use
theological and religious concepts to discuss our architectural decisions.
1 comment:
I remember as a child of 5 or 6, standing by my Dad's drafting table watching him draw up home plans. I stood on the foundations of these homes, watched the framing going up, and then saw the beautiful final product of my father's design and my mother's interior decorating. It was wondrous!
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